ROLL OUT THE BARREL, or: MORE BEER, MAMA!

– PREFACE –

– INTRO –

This article is dedicated to all German fellow jazz bloggers who like to drink a bottle of beer, or two, as I do it from time to time.

So, tonight, when I will be sitting on my balcony, drinking the beer of kings, König Pilsener – the thread is not (not yet, hehe!) sponsored by that very brewery – I will think of all you sinners.

I’m a jazz king somehow, at least ’round my block, here in Bay-In-Valley. I play a king size horn, an old Conn-Connstellation, and I love to drink king size amounts of … tea!

And so I graciously allow replies (via the well-known channels), also with other liquids like coffee, tea or gin. But no food-replies please!

– NOW, HERE COMES THE LITTLE TALE (all true!)

Clarence Williams, one of my forefathers in soul, once toured Germany in the Summer of 1933.

He was also visiting Munich, had some shots of beer in an open-air pub (Biergarten) where he fell in love with the gorgeous Bavarian waitress.

Alas, he got the deepest blues ever, the Beer Garden Blues, as soon as he realized that Germany was not exactly the place for a black man in those “brown times”. (Brown was the ruling color of the Nazi uniforms.)

So he went back to the States, quite disillusioned, and told the three Andrews Sisters about his heartache.

The great gals cheered him up with her splendid version of Beer Barrel Polka and introduced Clarence to Mr. Blues himself, to Memphis Slim who also loved to talk to a Beer Drinking Woman, and that not only in 1940!

The 101 Ranch Boys knew about that problem with beer drinking women, since their mama was not only as big as a barrel, no, she could also hold quite an amount of pints.

I mean, they were 101 fellows! — So I ask you, where did they all come from?

But they of course loved their mom, and so they decided to be nice to her and recorded the non dated blues Beer Bottle Mama. Our friend Clarence was speechless:

All that because he’d told the sad story of his lost Bavarian love to some gabby sisters, to some of those Beer Drinking Women, who were also wheedled by Jimmy Gordon in 1941.

Clarence, in his frustration, started to count the umpteen Bubbles In His Beer and inspired Bob Wills to do the same. Poor Bob got so drunk over all that counting that he invited his Texas Playboys in 1947 to count those silly bubbles with him.

But I really don’t count ‘em, I rather drink ‘em and shout:

More Beer! – As did the above sisters in 1948 which was happening exactly 64 years ago.

As time goes by, dear readers ;)

– EXTRO –

Thanks for listening along my beery text … hehe!

There’s only one question left: Can one drink bubbles?

No! — But one could try to blow them forever, just like Jackie & Roy, together with Charlie Ventura’s Septet and I’m Forever Blowing Bubbles, featuring Jackie Cain (voc) Roy Kral (p, comp & arr) Conte Candoli (tp) Bennie Green (tb) Charlie Ventura (ts) Boots Mussulli (bs) Kenny O’Brien (b) Ed Shaughnessy (d) – ‘Live’ in concert, Pasadena Civic Auditorium, California, 1949.

– Hold it, hold it! –

– Here comes a very beery P.S. –

Quote from the video description:

Barney Bigard-cl/Duke Ellington-p/Harry Carney-bar/Sonny Greer-d/Fred Guy-g/Ray Nance-t/Rex Stewart-c/Billy Strayhorn-a/Billy Taylor-b/Juan Tizol-tb

New York, December 29, 1944

Black & White 1207B

…the tenor man is Georgie Auld:

Posted in Jazz Stories & Tales, Invented Truths & Actual Happenings

Another Springstrumental ∽ HARRY JAMES & “SPRING CAN REALLY HANG YOU UP THE MOST” ∽ ‘Live’ in Las Vegas, Spring, 1964

Isn’t this a lovely interpretation of the fabulous bitter sweet Spring ballad?

Here it is, as played by Harry James, live in Las Vegas:

Spring Can Really Hang You Up The Most.

Harry used almost no vibrato, no schmaltz at all; here he was the serious jazz balladeer without sparkling pyrotechnics, or flashy circus stunts; just some long tones as the song demanded them; a very breathy trumpet sound; a fairylike whisper in the nocturnal desert.

Personnel: Harry James (tp) Ray Sims (tb) Corky Corcoran (ts) Jack Perciful (p) Guy Scalise (g) Red Kelly (b) & Buddy Rich (d), Las Vegas, Spring, 1964.

– Links to Harry James & Other Joys –

Find more, and partly very rare Harry James HERE. This channel is a horn of plenty for every Harry James admirer!

The above Spring Can Really Hang You Up The Most has been transferred by yours truly from a currently unavailable LP-twofer which can be certainly found somewhere else on the internet ;)

Learn more about vibrato in Steve Provizer’s recent article @ Brilliant Corners.

More splendid Spring songs HERE @ this indomitably swingin’ blog.

A whole lot of nice Harry James LP’s can be found HERE.

Posted in Jazz Stories & Tales, Invented Truths & Actual Happenings

RE: ASCENSION DAY ∽ DEDICATED TO ALL FOLKS WITH SOUL

No words today, just music:

Learn more about one of jazz’s greatest albums HERE & HERE.

A selection of CD’s can be found HERE.

Posted in Jazz Stories & Tales, Invented Truths & Actual Happenings

MY LITTLE DOGGIE

Posted in Jazz Stories & Tales, Invented Truths & Actual Happenings

HAPPY 100th ANNIVERSARY GIL EVANS ∽ 13 May 1912, Toronto, Canada – 20 March 1988, Cuernavaca, Mexico

Gil humbly called himself being “just an eclectic” (memory quote from a radio portrait on his 70th birthday).

Here’s a confirmed one:

“That’s all I did – that’s all I ever did – try to do what Billy Strayhorn did.”

…and more, I wanna add. — It was in the Summer of 1983, when I saw the very skinny man, sitting behind a fender piano, leading his orchestra at the Ronnie Scott’s Jazz Club in London. Gil was in good spirits, always smiling, and making jokes.

I don’t remember what they played, but it was a wild mixture of jazz, rock, and freely pulsating sounds; very impressive, especially for an upcoming young trumpeter, ’cause master Lew Soloff was in the band.

Here is the Gil Evans Orchestra from 1983; Lew Soloff can be spotted here, also Jiggs, and the other maestro on trumpet, Mr. Ack van Rooyen:

One of my favorite Gil Evans recordings – and probably his most intimate – is featuring only him on electric & acoustic piano, and Steve Lacy on soprano sax: Paris Blues (1987).

Gil’s brilliant collaborations with Miles are legend, and also his notorious “laziness”, if we can believe Miles who said that Gil sometimes needed a week for writing down just four bars of a chart.

Jiggs Whigham once told me about those “charts” that Gil would have given some loose sheets to the trombone section, containing only sketches which had to be played on cue.

As for trombone cues: One of Gil’s fabulous charts, featured in the radio portrait I mentioned above, was King Porter Stomp with Cannonball as the main soloist.

Happy 100th Anniversary up there, Gil Evans!

Thanks for the beautiful music. You will always be remembered, and *not* only for your “eclecticism”, that’s for sure!

Blog owner’s addendum:

Learn more at Doug Ramsey’s Rifftides, and at the highly informative Gil Evans Project site.

Early big-band-arranging efforts with Claude Thornhill & His Orchestra and Buster’s Last Stand (1942) (sorry for the annoying fanfare in the beginning)

…and I Don’t Know Why (1942) with vocals by Lilian Lane & The Snowflakes:

More sounds here; another, comparably ‘conventional’ duet recording with Gil Evans & Lee Konitz from their ‘live’ album Heros:

Here we go with Gil Evans & His Electric Freebop Big Band, ‘live’ at Sweet Basil, 1986:

Posted in Jazz Stories & Tales, Invented Truths & Actual Happenings

DFB-Pokal Endspiel — BORUSSIA DORTMUND : BAYERN MÜNCHEN = 5 : 2

Yeah!

Was für ein großes Spiel!

Den Schwarz-Gelben gewidmet, die den Pott geholt haben, Richard Twardziks “Yellow Tango”:

Und die Bayern?

Die wurden geradezu schwindelig gespielt. — Dem FC Bayern widme ich Charles Mingus “Dizzy Moods”, hier in der späteren Aufnahme von 1957 mit Clarence Shaw (tp) Jimmy Knepper (tb) Curtis Porter (as, ts) Bill Triglia (p) Charles Mingus (b) Dannie Richmond (d):

Dizzy Moods …passenderweise ein roter Player, nee is klaa!

Posted in Jazz Stories & Tales, Invented Truths & Actual Happenings

BERNIE PRIVIN’s UNBELIEVABLE WARM-UP EXERCISE(s) — LOLL

Bernie Privin, the almost violently sounding trumpet soloist at Charlie Parker’s big band recording of What Is This Thing Called Love, could also play very smooth, and tasteful.

His jazz work was strongly influenced by Louis Armstrong; his tone, his embouchure seemed to be indestructible; surely, the man had chops!

– Wanna hear him & his Glenn-Miller-AAFB gates jam with Django Reinhardt?

No problem:

Playlist — Glenn Miller’s All Stars a.k.a. ‘Jazz Club Mystery Hot Band’

Personnel & date:

Bernie Privin (tp) Peanuts Hucko (ts) Django Reinhardt (g) Mel Powell (p) Josz Schulman (b) Ray McKinley (d) – Paris, January 25, 1945

– Wanna extend range, endurance & flexibility?

Try this:

P.S. — It can be assumed that Bernie will laugh his ass off up there when he would see us seriously try out, what he called his “daily warm-up” routine :)

Here’s Bernie in his own words.

Posted in Jazz Stories & Tales, Invented Truths & Actual Happenings