Certain places in the Far & Middle East were always inspiring jazz musicians, swingin’ on the not so romantic urban Western Frontier:
“Twilight In Turkey”, “A Night In Tunisia”, “Twilight In Teheran” (Buck Ram’s All Stars, 1944*), “Turkey Special” (Horace Henderson & His Orchestra, 1940), or “Bagdad” (Ray Miller & His Orchestra, 1924).
Here’s Tommy’s, respectively arranger Paul Weston’s contribution to all those exotic efforts, as recorded by Tommy Dorsey & His Orchestra on June 15, 1939:
*) Buck Ram’s All Stars: Shad Collins (tp) Frank Newton (tp) Tyree Glenn (tb) Earl Bostic (as) Don Byas (ts) Ernie Caceres (bars) Red Norvo (vib) Teddy Wilson (p) Remo Palmieri (g) Slam Stewart (b) Cozy Cole (d) Buck Ram (ldr) – Savoy Studios, NYC, September 18, 1944 — Blog owner’s recommendation: Go for this splendid LP-twofer (see link) ;)
The President of the United States of America, Mr. Barack Obama, who has visited Germany five years ago, was in Normandy the next morning, for celebrating the day which helped to end World War II in Europe, then 65 years ago:
With this swingin’ little playlist, organized as kinda broadcast, I want to honor all soldiers of the Allied Forces who participated in this bloody but victorious battle for freedom and democracy.
All tracks are more or less loosely connected to this very day. I recommend that you’d listen closely to track #2 because it had been interrupted for a surprising announcement.
Harry James’ theme Ciribiribin is working as a bracket. It is taken from the famous D-Day-Broadcast with Harry James & His Orchestra; just like the beautiful arrangement of It Could Happen To You, sung by Kitty Kallen.
Tommy and Jimmy Dorsey’s Brotherly Jump is dedicated to the combined troops of Americans, Australians, British, Canadians, Free French, Norwegians and Polish under the command of General Dwight D. Eisenhower which landed at “Utah, Omaha, Gold, Juno and Sword”, the five sections which divided the beaches of Normandy.
They were all soul brothers who fought for the same war aim: Getting rid of the nazi tyranny once and for all.
Count Basie’s On The Upbeat was one of the theme songs of AFN, the American Forces Network right after the war in Germany. The P.S. is played by Glenn Miller’s Army Air Force Band, a beautiful rendition of David Rose’s Holiday For Strings, which was broadcasted by the British Forces Network (BFN in Hamburg) in the weeks after the war.
It has a special, a very moving memory attached: This very theme became the liberation song of a very good friend and neighbor of mine, Mr. Ralph Giordano, a German best selling author & documentary filmmaker, former “Swing Kid” from Hamburg, and Holocaust survivor who is living right around the corner, here in the beautiful Bay-In-Valley, the South-End of Cologne.
All other tracks are self-explanatory and stem mostly from V-Discs.
More about D-Day here: Normandy, June 6, 1944 a.k.a. “Operation Overlord”
Here it is:
>>>——> Bruno Leicht’s ultimate D-Day Playlist <——<<<
This is an extended blues à la rhumba (similar to Tommy Dorsey’s “Perfidia”, which is *NOT* played as a rhumba anyway), dedicated to Little Willi, a new Californian citizen, who arrived yesterday in the wee small hours of the morning.
Cheers to you, Jessy & Herb!
Enjoy :) :) :)
Folks who are digging swingin’ drummers, too often forget to mention the under-appreciated Sonny Greer who spend half of his career in Duke Ellington’s various aggregations, starting with a quintet in 1919, continuing with Duke’s Washingtonians in 1924, who eventually became Duke Ellington & His (Famous) Orchestra.
Sonny Greer was *the* driving force behind romping pieces like “Ko-Ko”, “Harlem Airshaft”, or “Cotton Tail”. His dry, forward-going beat propelled the orchestra, and made it fly to triumphant heights.
His gig at Duke’s court ended quite abruptly in 1950, when Duke had hired Butch Ballard as the 2nd drummer for a Scandinavian tour because of Sonny’s excessive drinking habits.
Here he can be heard in a forgotten feature piece, extra tailored by Barney Bigard & the Duke, for Sonny’s abilities as the slap-happy skin man who pulled several of his many tricks during “Drummer’s Delight”, like groovy snare marching routines, crackling rim-shots, and some of the crispiest hi-hat sounds ever.
Personnel & date to Barney Bigard & His Orchestra: Barney Bigard (cl) Rex Stewart (ct) Juan Tizol (v-tb) Harry Carney (bs) Duke Ellington (p) Fred Guy (g) Billy Taylor (b) Sonny Greer (d) – New York, January 19, 1938.
– Blog owner’s note for the jazz history experts: “Drummer’s Delight” was recorded three days after Benny Goodman’s famous concert at Carnegie Hall on January 16, where some of the Duke’s men above were participating.
– Addendum: Here’s the cover of the LP-twofer where the only take of “Drummer’s Delight” can be found (carefully restored by yours truly; you will never hear it so “clean” on vinyl):
This is the definitive beginning of my non-political anniversary year. For me, there won’t be 1914, 1939, 1944, or 1989 in the center of interest.
– No, on the contrary: This blog will feature a load of short articles ’round America’s greatest, most creative composer besides Ives, Gershwin, Copland, Monk & Cage:
About Edward Kennedy “Duke” Ellington.
Sir Duke, the last of the “Eight Veils” has been removed by Billy Strayhorn & Cat Anderson:
It’s all about “Women, Women, Women”, as Ray Nance crooned & blew it in this bitty-ditty, this (almost!) forgotten blues, right?
… It’s all so clear what you wanted us to see:
…Duke, you’re my man!
As a fellow composer, I wanna thank you, Duke, for all the inspiration, for all those (musical) mysteries you’ve left us to solve.
Cheers, ever young man Ellington, cheers to all the Ladies, above all, heartfelt thanks to “The Lady Of The Lavender Mist”, whoever she was.
Let’s all invite her to dance your “Progressive Gavotte” with us.
May they keep on keeping on inspiring us, women & men of (jazz) music!
Doug’s seasonal post at Rifftides (Jimmy Lunceford in 1939 with Irving Berlin’s “Easter Parade”) inspired me to insert three other “Easter Parade’s” right here, as kinda musical preface, before we eventually will be happily parading along with swingin’ Benny Moten.
A very obscure version from 1935 starts the proceedings:
It’s the barely audible Django Reinhardt, as guest soloist with Patrick Et Son Orchestre de Danse. — A classic version comes next: From the soundtrack LP of Easter Parade (1948) with Judy Garland & Fred Astaire. I hope you don’t mind, being not able to watch them parading.
Back to dreamy, but already summerly Paris with trumpeter “Little Jazz” Roy Eldridge and his quartet, featuring Gerald Wiggins (p) Pierre Michelot (b) Kenny Clarke (d) – June 14, 1950. Roy plays it very reflective here, almost sentimental; but notice some of his long, vibrato-less tones — quite a relief after you’ve heard Judy, doing exactly the opposite!
01 You’re Driving Me Crazy – Louis Armstrong And His New Sebastian Cotton Club Orchestra, Los Angeles, CA – December 23, 1930
Armstrong, Louis (Trumpet, Vocal) Hite, Les (Conductor, Alto Saxophone, Bass Saxophone) Orendorff, George (Trumpet) Scott, Harold (Trumpet) Graven, Luther (Trombone) Johnson, Marvin (Alto Saxophone) Jones, Charlie (Tenor Saxophone, Clarinet) Prince, Henry (Piano) Perkins, Bill (Banjo, Steel Guitar) Bailey, Joe (Tuba, Bass) Hampton, Lionel (Drums, Vibraphone)
It’s Moten Swing from here now:
02 Bennie Moten & His Kansas City Orchestra – 1932
03 Andy Kirk & His Twelve Clouds Of Joy with Mary Lou Williams – 1936
04 Fletcher Henderson – 1938
05 Benny Goodman – 1938
06 Count Basie with Harry Edison & Lester Young – 1940
07 Charlie Parker mit Jay McShann – Buddy Anderson, Orville Minor (tp), Bob Gould (tb, vln), Charlie Parker (as), Bob Mabane (ts), Jay McShann (p), Gene Ramey (b), Gus Johnson (d) – Trocadero Ballroom, Wichita, KS, December 2, 1940
08 Django Reinhardt (g/ld), Herb Bass, Robin Gould, Jerry Stephan & Lonnie Wilfong (tpts), Bill Decker, Don Gardner, Shelton Heath & John Kirpatrick (tbns), Les Lieber & Joe Moser (as), Jim Hayes (cl/as), Bernie Cavaliere (ts), Bill Zickefoose (ts), Ken Lowther (bars), Larry Mann (p), Bob Decker (b), Bill Bethel & Red Lacky (d) – Paris, either 10-26-1945 or 12-8-1945
09 Bernie Leighton (p), Hy White (g), Trigger Alpert (b), Dave Tough (d) – NYC, August 9, 1946
10 Harry James & His Orchestra – 1947
11 Charlie Shavers (tp), Bennie Moten (tb), Hank D’Amico (cl), Kenny Kersey (p), Aaron Bell (b), Panama Francis (d), Al Collins (nar) – NYC, October 25 & 27, 1954
12 Tommy Flanagan (p), Kenny Burrell (g), Oscar Pettiford (b), Shadow Wilson (d) – NYC, March 12, 1956
13 Manny Albam & His Orchestra plays the combined themes of “Moten Swing” & “You’re Driving Me Crazy” – 01/01/1960
14 Oscar Peterson (p), Ray Brown (b), Ed Thigpen (d) – Los Angeles, CA, December 15 & 16, 1962