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A musician with knowledge, wit, chutzpah, humour. Bruno Leicht’s blog is an inspiration for every jazz fan. Great mixture of historical panorama, expertise, far-out finds, and above all, an always palpable love for jazz. Big cheers!
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Quote Of The Day
"Many jazz musicians prefer recording their own original songs and rarely want to feature a song by anyone outside of their band—unless the composer is dead and gone.
A few major jazz musicians are bucking this trend, and I applaud them. I just wish more improvisers would follow their lead."
Ted Gioia, jazz historian & trumpet colleague, in an interview @ Marc Myers' JazzWax about his new book The Jazz Standards
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Category Archives: Miles Davis
Update: THE MAIDS OF CADIZ (Les filles de Cadix) – An old French song revisited by Benny Goodman & Miles Davis with Gil Evans
This beautiful melody by French composer Léo Delibes should be the fitting musical preface for the last and late Summer’s versions of “Summertime”. First comes the Benny Goodman Sextet with an almost forgotten interpretation of the song: The Maids Of … Continue reading →
Posted in Benny Goodman, Celebration, Dedication, Exoticism, Miles Davis, Poetry, Vielfalt
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Update: SONNY ROLLINS’ “AIREGIN” is about “ORIGIN” is about “OXYGEN” is about “NIGERIA”
I guess that headline sums it up what Sonny subconsciously wanted to tell us with “Airegin” which is one of his greatest hits beside “St. Thomas”, “Oleo”, and “Doxy”. Here it is in its initial performance, as played by the … Continue reading →
Posted in Anniversary, Chet Baker, Dedication, Etymology, Jazz Stories & Tales, Invented Truths & Actual Happenings, John Coltrane, Miles Davis, Native Americans, Portrait, Saxophone, Sonny Rollins, Stan Getz, Trumpet, Wes Montgomery
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Tagged bebop, great solo, guitar, jazz, language, living jazz history, love, race, standard, up tempo
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4 Comments
Freitag, den 29. August 2014 20:00 Uhr: Die drei Wünsche der Jazzmusiker
Die drei Wünsche der Jazzmusiker Freitag, den 29. August 2014 20:00 Uhr Jazzgeschichten aus der Jazzgeschichte Eine ungewöhnliche Kombination von Musik und Text: Jazzgeschichten aus der Jazzgeschichte Warum Billie Holiday Angst vor Streichern hat, Miles Davis Papierschnipsel zur Probe mitbringt, warum … Continue reading →
Posted in August, Invented Truths & Actual Happenings, It's gonna be a ball, Jazz History Lecture, Jazz Stories & Tales, Jazz Stories & Tales, Invented Truths & Actual Happenings, Miles Davis, Pannonica de Koenigswarter, Swing Era, The Roaring Twenties
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Tagged bad habits, cold war, from swing to bop, ghosts, great american songbook, hotel gig, jazz, living jazz history
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CLAP HANDS, HERE COMES CHARLIE BARNET WHO JOYFULLY PROCLAIMS: “THANKS FOR 50.000.000 HITS @ BREW LITE’s JAZZ TALES!!!”
… ??? …Say what? …Oopz, he certainly meant 50.000+ … 😉 Anyway, a big thanks also from me, dear readers! It’s always the right idea to drop by here; especially when you’ll get the chance to listen to the complete … Continue reading →
Posted in Big Band Vocalist, Charlie Barnet, Cherokee, Count Basie, Dedication, Duke Ellington, Etymology, Film Noir, Glenn Miller, Jazz Stories & Tales, Invented Truths & Actual Happenings, Miles Davis, Portrait, Roy Eldridge, Swing Era, Tongue In Cheek, Trumpet
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Tagged big band, drum feature, great american songbook, jazz, jazz ballad, jazz vocal, language, living jazz history, race, standard, world war 2
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4 Comments
BUDDY RICH BIG BAND — MORE FROM THE JAZZ FEST BERLIN — NOVEMBER 3, 1984
NIGHT BLOOD IF I WERE A BELL Bill Cunliffe (p) Dave Carpenter (b) & BR (d) CHANNEL ONE SUITE Note: The lengthy drum solo, posted in two parts two days ago, belongs to this suite. Here it is again, but … Continue reading →
BRUNO LEICHT & HIS MADHATTAN FOUR (Berlin, 2007) with Charlie Parker’s KLACT-OVEEREDS-TENE
While I was cleaning my hard drive, I’ve found this in the archives, updated, enhanced & uploaded it to JazzTube; and now here it is, for your watching & listening pleasure: Bruno Leicht (tp) Walter Gauchel (ts) Lars Gühlcke (b) … Continue reading →
Posted in Charlie Parker, Dedication, Etymology, Jazz Stories & Tales, Invented Truths & Actual Happenings, Jive, Miles Davis, Portrait, Saxophone, Tongue In Cheek, Trumpet
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Tagged bad habits, bebop, cup mute, great solo, jazz, language, living jazz history, love, private tape, standard
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YET ANOTHER SENSATIONAL DISCOVERY FROM THE BREWSK LITOVSK ARCHIVES: MILES ACTUALLY DID IT !!!
PREFACE Miles Davis, respectively our interpretation of Miles will speak the final words at this blog… ? …in 2012. BULK What was long suspected among the experts has finally come to light: Miles did a rendition of (you play it … Continue reading →
Posted in All American Rhythm Section, Christmas, Dedication, Jazz Adaptation, Jazz Stories & Tales, Invented Truths & Actual Happenings, Miles Davis, Portrait, Santa Claus, Tongue In Cheek, Trumpet, Winter
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Tagged endless solo, great american songbook, great solo, harmon mute, jazz, living jazz history, love, oldie, quiet jazz, standard
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Comments Off on YET ANOTHER SENSATIONAL DISCOVERY FROM THE BREWSK LITOVSK ARCHIVES: MILES ACTUALLY DID IT !!!