Category Archives: Etymology

LIVING JAZZ HISTORY: ORAN ‘HOT LIPS’ PAGE, THE UNDERRATED TRUMPET MASTER OF THE 1930’s & ’40’s

Posted on May 31, 2018 by Brew

Hi folks — I always wanted to post this rare gem, an original autograph of the wonderful, of the inimitable, the one and only Oran ‘Hot Lips’ Page! ‘Hot Lips’ was an eager, and very busy after-hours jam session-ite. He … Continue reading →

Posted in CD review, Dedication, Etymology, Jazz Stories & Tales, Invented Truths & Actual Happenings, Jive, Oran 'Hot Lips' Page, Portrait, Swing Era, Trumpet | Tagged big band, Clarinet, endless solo, great american songbook, great solo, jam session, jazz, jazz vocal, living jazz history, oldie, private tape, standard | Comments Off

Update of ANOTHER REVOLUTION IN SWING: DON REDMAN & HIS ORCHESTRA – I GOT RHYTHM – JUNE 30, 1932

Posted on February 5, 2018 by Brew

Quote: “On 30 June 1932, Don Redman and His Orchestra made the first wholly instrumental recording of “I Got Rhythm” – an early example of many black musicians’ tendency to omit Ira Gershwin’s lyrics.” … but not only was it … Continue reading →

Posted in Etymology, George Gershwin, Jazz Stories & Tales, Invented Truths & Actual Happenings, Jive, Saxophone, Swing Era | Tagged big band, great american songbook, great solo, jazz, living jazz history, private tape, standard, up tempo | 2 Comments

Update: SONNY ROLLINS’ “AIREGIN” is about “ORIGIN” is about “OXYGEN” is about “NIGERIA”

Posted on January 11, 2018 by Brew

I guess that headline sums it up what Sonny subconsciously wanted to tell us with “Airegin” which is one of his greatest hits beside “St. Thomas”, “Oleo”, and “Doxy”. Here it is in its initial performance, as played by the … Continue reading →

Posted in Anniversary, Chet Baker, Dedication, Etymology, Jazz Stories & Tales, Invented Truths & Actual Happenings, John Coltrane, Miles Davis, Native Americans, Portrait, Saxophone, Sonny Rollins, Stan Getz, Trumpet, Wes Montgomery | Tagged bebop, great solo, guitar, jazz, language, living jazz history, love, race, standard, up tempo | 4 Comments

Since (almost!) absolutely nothing will change, a re-re-re-repost: FOR SOME REASON MOSTLY ALL BUT NOT IN THE KEY OF ‘C’ a.k.a. COLOGNE CARNIVAL 2017

Posted on February 23, 2017 by Brew

Oh yeah! — That’s all (as last year!) still very, very, I mean: Absolutely kinda like super-duuper-funny. It’s actually just laughably-ridiculously deeelightful. …LOLL. And so: Enjoy once again! CARNIVALESQUE BLUES & JAZZ FOLKS 1. While We Danced At The Mardi Gras … Continue reading →

Posted in Big Band Vocalist, Blogging is swell!, Carnival, Delikatessen...LOLL., Etymology, Exoticism, It's been a ball!, It's gonna be a ball, Jazz Stories & Tales, Invented Truths & Actual Happenings, Madness, Mardi Gras, Swing Era | Tagged bad habits, big band, Clarinet, great american songbook, jazz, jazz vocal, oldie | 2 Comments

HAPPY 95th ANNIVERSARY, CHARLIE “BIRD” PARKER! ∽ RE: KLACT-OVEESEDS-TENE

Posted on August 29, 2015 by Brew

PREFACE & ACKNOWLEDGEMENT My special thanks goes to Doug Ramsey for having reminded me of Charlie Parker’s 92nd anniversary three years ago. Since I’m not too strong with such dates, I appreciate Doug’s (and everybody’s) reminder(s), and will gladly take the … Continue reading →

Posted in Birthday Party, Blogging is swell!, Dedication, Etymology | Tagged bebop, Charlie Parker | 2 Comments

“AN IDENTIFYING JOHNNY HODGES MEDLEY”, said the Duke of Ellington at Carnegie Hall, on December 27, 1947

Posted on January 11, 2015 by Brew

The experts among you will immediately think: ‘Why, for heaven’s sake, did Brew take this medley as the first sound example from the very concert where the Duke and his men performed “LIBERIAN SUITE” for the very first time?’ Well, … Continue reading →

Posted in Blues, Carnegie Hall, Christmas, December, Dedication, Duke Ellington, Etymology, Exoticism, Film Noir, Germans, Jazz Stories & Tales, Invented Truths & Actual Happenings, Jive, Johnny Hodges, Poetry, Portrait, Saxophone, Sonny Greer, Tongue In Cheek, Winter, World War II | Tagged altosaxophone, beauty, big band, blues, cool, great solo, jazz, jazz ballad, language, medley, standard | Comments Off

INDIVIDUALISMUS auf die Spitze getrieben, oder: DER ANTIKE BLECHDECKEL — ORANGE BLOSSOM LANE (1941) & ORANGE COLORED SKY (1950)

Posted on September 13, 2014 by Brew

Und was hat das mit Jazz zu tun? Eigentlich gar nichts. Aber mit zwei Jazztiteln, die das Wort “Orange” enthalten. Ab und zu kaufe ich KOO Orangenmarmelade aus Südafrika. Sie enthält weniger Zucker, und schmeckt – in kleinen Streicheinheiten (sic!) genossen … Continue reading →